Free PDF A German Officer in Occupied Paris: The War Journals, 1941-1945 (European Perspectives: A Series in Social Thought and Cultural Criticism), by Ernst Jünger
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A German Officer in Occupied Paris: The War Journals, 1941-1945 (European Perspectives: A Series in Social Thought and Cultural Criticism), by Ernst Jünger
Free PDF A German Officer in Occupied Paris: The War Journals, 1941-1945 (European Perspectives: A Series in Social Thought and Cultural Criticism), by Ernst Jünger
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Review
Ernst Jünger’s record of German-occupied Paris and the battlefields of the Caucasus is a treasure trove for readers interested in the history of the Second World War. Even more, though, it is a literary accomplishment of the first order, a document of European modernism, in which this master stylist leaves traces of the violence of the age between the lines of his crystalline prose. (Russell A. Berman, Walter A. Haas Professor in the Humanities, Stanford University, and senior fellow, Hoover Institution)These diaries are not only a remarkable document of the time, but bring us close to a strange but highly original person, always capable of a fresh response to the natural world, the atmosphere of Paris, and the hideous events that force themselves on his knowledge. Many of Jünger’s texts have an inhuman chill; these diaries reveal his humanity. (Ritchie Robertson Times Literary Supplement)For English-speaking readers who do not know his work, A German Officer in Occupied Paris shows the many sides of this complex, elusive writer. (Edmund Fawcett Financial Times)Through these journals, we see Jünger consorting with resistors and collaborators, intellectuals and artists, drinking champagne, dining in sumptuous restaurants, and accompanying other officers to nightclubs, where naked women perform. Wandering around the city, he combs through antiquarian bookshops, stops in at galleries, discusses literature with friends, and acutely observes plants and flowers change with the seasons. He recounts in detail his dreams, nightmares, and musings on war. . . . A unique historical testimony. (Kirkus Reviews)Once read, these [journals] are never forgotten. They are surely the strangest literary production to come out of the Second World War, stranger by far than anything by Céline or Malaparte. Jünger reduces his war to a sequence of hallucinatory prose poems in which things appear to breathe and people perform like automata or, at best, like insects. (Bruce Chatwin, New York Review of Books (review of French edition))Politically ambiguous and polymathic, Jünger led a remarkable and long life (he died at the age of 102 in 1998) as a soldier, writer and philosopher. "I suffer from a hyperacute sense of observation," he said, not as a boast, but by way of admitting to a weakness. The foibles of the Nazis, the deathwatch beetles he collected, the facial tics of liars, the flick of a Parisian woman's hair as she bought a hat, the physical contortions of an executed deserter: all these came under the magnifying glass in his war journals, kept from 1941-45. Their publication in English, fluently translated, is a remarkable moment, presenting a model of how to navigate an age of extremism. (Roger Boyes The Times of London)Expertly translated into English by Thomas and Abby Hansen . . . with an excellent biographical-critical foreword by Elliot Y. Neaman. (Michael Dirda The Washington Post)[Jünger's] writings and insights have long earned him sage status in Germany. This, the first publication in English of his diaries from 1941–45, heightens his complexity but also makes him a more rounded figure. (Alex Colville The Spectator)A German Officer in Occupied Paris is a remarkable slice of World War II, and makes for fascinating reading. (M.A. Orthofer The Complete Review)Jünger is an eloquent and informative witness to artistic life in occupied France, deportations, the burgeoning French Resistance and the conspirators against Hitler as well as the utter chaos after Stalingrad. This edition also includes extensive notes and a full glossary of all the people mentioned in the text. (Times Higher Education)
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About the Author
Ernst Jünger (1895–1998) was a major figure in twentieth-century German literature and intellectual life. He was a young leader of right-wing nationalism in the Weimar Republic. Among his many works is the novel On the Marble Cliffs, a symbolic criticism of totalitarianism written under the Third Reich.Elliot Neaman is professor of history at the University of San Francisco and the author of A Dubious Past: Ernst Jünger and the Politics of Literature after Nazism (1999).Thomas Hansen, a longtime member of the Wellesley College German Department, is a translator from the German.Abby Hansen is a translator of German literary and nonfiction texts.
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Product details
Series: European Perspectives: A Series in Social Thought and Cultural Criticism
Hardcover: 496 pages
Publisher: Columbia University Press (January 22, 2019)
Language: English
ISBN-10: 0231127405
ISBN-13: 978-0231127400
Product Dimensions:
6 x 1.2 x 9 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
2.8 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#17,553 in Books (See Top 100 in Books)
Jünger is the man to read if you’re searching for a narrative of what it’s like for a human being to find himself in an impossible moral situation. In this painfully honest journal he tells us how he copes with the nightmare around him. When speaking of the leadership supplied by then Colonel Speidel (later a courageous participant in the Stauffenberg plot) Jünger says “under his Aegis, here deep in the military machine, we formed a kind of shell of intellectual chivalry, meeting in the belly of the beast, trying to preserve regard and compassion for the weak and vulnerable.†I find that claim convincing. Regarding Jünger’s relationship with the Nazis, I agree with Jünger biographer Thomas Nevin when he says Jünger’s writings and actions “put him at an unimpeachable remove from the Nazis†and that “at the crucial junctures, Jünger rejected Hitler, ridiculed the Nazis, and defended those targeted by their virulent racism, the Jews.â€
A book-lover and writer, a German military officer, a close observer. Ernst Junger's journals provide important information about one intellectual's life during World War II in Europe, and especially Paris.Junger's struggle, as a patriotic and moral German, to make sense of life during a horrible war that ultimately destroyed his country, slaughtered millions, and took the life of his child can be felt throughout this book. He rarely talks about larger politics; instead focusing on friendships, reading and stops at old bookstores, the intense study of small insects and birds, and visits to cemeteries.He has a gift for writing. "The crack of the shrapnel in the empty streets--like that of meteorites on a lunar landscape."
This well known and skilful writer German officer and luncheon specialist appeared to have wondered about Europe and Russia during World War II talking and writing about flowers, the sunset and young ladies, while his compatriots murdered millions of Jews, Russians and gypsies. He was well aware of these crimes but gives them mere passing reference.This book is worth reading if only to experience the offhanded manner that many German army officers regarded the infamy of the German military.
How could any one write anything so boring in such about such an exciting time?No need for sleeping potions. Just try to read a page without fallingasleep. It's unforgivable at half the price. I would return the bookif I thought they might even want it back.
This book was a surprise to my husband and me. We love history, are interested in WWII history especially. We love Paris and we like biographies. But this was a difficult book to read. It was based on a German officer's memoirs during the war in Paris, but there was an emphasis on beetle collecting and literature. There were observation of the city and celebrities , of war atrocities , etc. It was beautifully written but it was very difficult to slog through this book.
Read at your own peril, or if you are an addict of the diaries of psychopaths. A man who could watch families being machine-gunned into a pit and then admire the curl of a woman's hair an hour later while shopping at an antiquarian bookshop. A man who saw poetry in the death of innocents and bore no responsibility for his actions. In short, a Nazi through and through. Reminds me of Heydrich in many of his perspectives. A fully loathsome excuse for a human being. I now know what I always suspected - that the author of Storm of Steel was really an unrepentant Nazi with some minor literary talent.
Junger was a well-known German author and officer during World War II who "met intellectuals and artists across the political spectrum" while living in occupied Paris. As such, he can be considered part of a Franco-German dialogue, if not "alliance." I personally was interested in this book because I wanted to know the atmosphere of Paris under German domination. Apparently "Junger frequented the Thursday salon of Paris editor for Harper's Bazaar, Marie Louise Bousquet," wife of the playwright Jacques Bousquet. Pablo Picasso and Aldous Huxley also attended those meetings. I am just getting into the book and realizing that nothing is black and white--life is always varying shades of gray. Junger, for instance, judged the brutality of fascist sympathizer Ferdinand Celine's vicious character harshly. It is amazing to see who dallied at these "salons." In visiting the George V hotel, he would have been conversing with Cocteau and the publisher Gaston Gallimard. This may help you keep reading: "When Junger saw an opportunity to help save Jews at an acceptable level of risk, he did act." His help proves he had a conscience despite Cocteau's comment that he had no hands. I think it is wonderful of Columbia University Press to publish Junger's journal. It will help scores of researching writers and anyone interested in what German officers were doing while in Nazi-controlled Paris. #NetGalley #ColumbiaUniversityPress
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